Tag Archives: artist-run

Only Nothing

Our final Spin visit of the year will be to Rhubaba Gallery & Studios. Established in 2009, Rhubaba is an artist-run organisation that provides studio space for artists, as well as running a yearly programme of exhibitions and events. This month sees the opening of their most recent show, Only nothing.

The exhibition explores many issues that the artists are tackling in their practice; these vary from political struggles, histories of artistic creation, self-expression and how ultimately these practices can be hindered by the artworld. Only nothing sets out to interrogate how artists are both constrained and contribute to issues around labour within the artworld.

Artists include Glasgow-based ceramicist Dawn Youll, video works from Johanna Billing and Natasha A. Kelly, sculpture by Jennifer Bailey, works by Tanja Ostojić, publications and a new podcast from Sophie Hope and Jenny Richards aka Manual Labours, as well as newly commissioned contributions to Rhubaba’s resource reader from writers Angela Dimitrakaki and Laura Guy.

Rhubaba is run by voluntary committee members and for this event we will be joined by two of the committee members, Laura Tully and Siobhan Scott.

 

Leith Walk: Our Share of the Profits by Carme Nogueira

This month we will be visiting Interview Room 11, an artist-run gallery and project space set up in 2013 and housed in the Ocean Terminal retail complex. The gallery is run by committee of artists and curators, with an interest in promoting emerging and early career local and international artists.

We will be discussing Galician artist Carme Nogueira’s new video work Leith Walk: Our Share of the Profits with the curator and committee members. The artist has explored Leith’s history focusing on the strike that took place by dock workers in the Port of Leith in 1913. Three people connected with Edinburgh’s artistic community have been chosen to read texts relating to the history of the neighbourhood in this portrait of the story of Leith told from our present.

Eden Hawkins

For the final Spin event of 2016, we will be heading to the Number Shop, an artist-run studio and gallery space founded in 2014. We will be getting a sneak preview of Eden Hawkins’ photography exhibition which officially opens the day after our visit. Eden will join us to discuss her work.

Eden studied photography at Edinburgh College of Art (eca), graduating in June 2016. For her degree show she exhibited several large format photographs featuring staged tableaux, lit like commercial images, playfully dramatising everyday objects. These pieces are now part of the University Art Collection since Eden won the eca Degree Show Purchase Prize along with only eight other students. Alongside this, Eden is one of two artists who have been given the Number Shop’s new eca Grad Award, offering her the opportunity to produce work especially for the project space at the gallery.

Objects From the Temperate Palm House

The year starts with a visit to a pop-up artist-run gallery Bargain Spot Project Space to talk about their new group exhibition Objects from the Temperate Palm House.

Bargain Spot curators Lydia Honeybone and Abigail Webster will discuss the work in the exhibition and their plans for the space. Objects from the Temperate Palm House is a group exhibition presenting new, existing and commissioned work by eleven artists from Scotland, the UK and Europe. The exhibition presents their work alongside artefacts from the archive of the Royal Botanic Garden Edinburgh. Borrowing the aesthetic of the renaissance ‘wunderkammer’ (cabinet of curiosities) the exhibition seeks to call into question how artworks are displayed and the act of looking in the gallery. The exhibition is curated by Chloe Reith and Kirsty White.

MUD|Mel Franklin Smith & Alex Pollard with Mike Cooter

For our April Spin event we will be visiting artist-run Embassy gallery to discuss MUD, an exhibition of new work and stealth collaborations by Mel Franklin Smith and Alex Pollard and works by Mike Cooter.

We will be joined by the exhibition’s curator Dane Sutherland and other committee members. Shoes and other artworks are displayed on top of horizontal screens giving the overall effect of light emitting sarcophagi.

Pollard and Franklin Smith are ‘collaborating’ with a diverse list of artists, inanimate objects and concepts including the German Democratic Republic, Physarum Polycephalum (the many-headed slime), computer animation artist Clifford Sage and Jeff Koons’ contemporary, Meyer Vaisman. Previously a Franklin Smith and Pollard collaborative project involved wirelessly hacking visitors’ iOS 8 devices. The exhibition runs until Sunday 3rd May.

Natasha Russell: Night Smell

Our February event will be Spin’s first visit to a new visual art space in the city, The Number Shop Gallery and Studios.

Gallery Director, Alistair Grant will take us on a tour of the studios and preview emerging artist Natasha Russell’s exhibition of new work which will open the following night. Russell is an Edinburgh-based painter and illustrator. She is a recent graduate of Edinburgh College of Art and will join us on the night for the discussion.

Natasha is interested in the strange and imbalanced relationships between humans and the rest of nature. Night Smell is a body of recent work in printmaking and drawing exploring night time. Here she has woven together folklore and science, exploring the tug of war between our desire to become more removed from the natural world while peering ever closer. 

The Number Shop studios provide artists with a defined personal space, as well as shared floor space in which to work, echoing the art school studio model. Since its opening, the TNS has hosted a program of exhibitions in the Project Space as well as throughout the shared studio spaces.

Master Slice

Spin: Glasgow visit the artist-run gallery and studios, the duchy. Master Slice is a group show of new work by three Glasgow-based artists whose work examines the linguistic nature of an artworks presentation.

Neil Clements‘ work in this exhibition explores how an artwork could be argued to function as a barrier between artist and audience, occluding meaning as much as communicating it. Glasgow School of Art recent graduate Sam Derounian‘s work is founded upon collaged sculptural forms and compositions using screenprinting, painting, and drawing processes. George Ziffo‘s paintings investigate and challenge the boundaries between portraiture and abstraction.

Founded in June of 2009, the duchy is a new non-profit, artist-run gallery and studio space located in two adjoining shop-fronts on Duke Street, Glasgow. Their intention is to support emerging and early career artists committed to their practice, providing space to create and show work.

Today your love, tomorrow the world

For the next SPIN:Glasgow event, we will be visiting Lowsalt, a Glasgow-based, artist-led, not for profit organisation.

Still in its infancy, the organisation was set up in early 2006 with a fundamental focus on creativity and experimentation. Lowsalt aims to promote and facilitate emerging and established artists across a broad range of disciplines, and provides opportunities for artists to produce and exhibit their work within a free and professional environment. Lowsalt does not have a permanent space within the city, and has recently moved to these premises after having successfully exhibited work across the city in a disused shop front in the Saltmarket.

Lowsalt was established, and is run by, practising artists Kristy Schindler and Rebecca Anson-Armstrong, who act as programming and curatorial facilitators. Krisdy Schindler will be joining us to talk about the organisation and the exhibition.

Today your love, tomorrow the world is an exhibition of new work by four artists from around the world who are now based in Glasgow: Benjamin Merris, Hrafnhildur Hallsdottir, Alhena Katsof and Baldvin Ringsted. Loosely inspired by the Ramones song title, the exhibition comprises work that combines visions of post-rock melancholy with the bitter irony of songs of yore, featuring video, collage and drawing.

BENJAMIN MERRIS is an American artist living and working in Glasgow. Ben studied at the University of Massachusetts, Boston and moonlighted as a professional monster wrestler for three years. Romantic, unshakable childhood visions and the Glasgow School of Art MFA Course brought him to a new home. In the past year, he has exhibited and performed at intermedia in Glasgow, Edinburgh, Amsterdam and at CAFA in Beijing.

HRAFNHILDUR HALLSDOTTIR’s work strategically uses and abuses everyday materials. Her affinities lie with the stuff that others discard or disdain – cardboard, thread, string, cheap felt-tip pens and garishly coloured feathers. The many references to music, especially rock music, emphasises the artists desire to lose her self, and us, within the sonic architecture of a thunderous riff designed to obliterate rational thought and collapse the boundaries between art and life.

ALHENA KATSOF was born in Montreal, Canada. Alhena moved to Glasgow in 2005 to do an MFA at the Glasgow School of Art. Alhena’s practice is directly informed by the conceptual and aesthetic sensibilities of collage, which are pertinent both in their visual quality and sociological implications. Embedded within her work is a fractured storytelling and an intimate, melancholic humour. Although not overtly feminist, Alhena’s work is indebted to a feminist dialogue and to all of the confusion and opportunity that it provides. Alhena has exhibited her work in Canada and the US, Edinburgh, Amsterdam and Beijing. Alhena has made a new video entitled For Today Your Love, Tomorrow The World.

BALDVIN RINGSTED exploits familiar or historically important found sounds and events in his work. His installations have included sculptures, sound, video, found objects, paintings and written manuscripts. Born in Akureyri in Iceland, he now lives and works in Glasgow. Ringsteds background is in music. He studied jazz theory and also worked as a rock and experimental musician. Baldvin has had several solo shows and taken part in group shows and projects in as diverse places as Finland and New York.

Ronnie Heeps

This month, we will be visiting the exhibition, Frankie and Other Stories at the Embassy Gallery.

Glasgow artist Ronnie Heeps is not easy to describe or pin down. He is a horror/dream/fairy storyteller for the electronic age. His paintings are psychedelic and psychological, surreal and satirical. The ‘airbrush’ style and palette of some of Ronnie’s paintings might suggest a naive mysticism, but wisdom and complexity rise to the surface the longer you look.

Indeed you may have seen two of his beautiful (and spooky) Ghost Paintings at the Collective Gallery (one in the Haunted Swing exhibition and one in the Birthday Party) – the forms of Margaret Thatcher and Lady Agnew gradually appear in what one initially takes to be a white monochrome. The Frankie of the exhibition title is Ronnie’s name for Frankenstein’s monster. In his first solo show for three years, Ronnie focuses on the isolation and frustration of a person/monster who can find no place in the society that created him.

Also joining us to ask Ronnie questions, will be Dr Neil Mulholland, who is Lecturer in Contemporary Art at Edinburgh College of Art, a busy curator and a prolific writer. Our hosts are Jenny Hogarth and the other directors who established the Embassy Gallery last year.

Individually, they are all talented young artists and as a group they deliver the professional development programme for students (and public) at ECA. They have already organised three performance and video evenings as well as touring group shows to Glasgow and Manchester. This is the first time, since the Collective opened 20 years ago, that artists have set up such an ambitious venture in Edinburgh (they intend that Embassy, like the Collective, will continue and develop beyond their own tenure). Their potential has been recognised with funding from Scottish Arts Council, ECA Trustees and the young Scot award. Everyone is enjoying following their progress.