Tag Archives: Bluecoat

Liverpool Biennial 2012

The Liverpool Biennial 2012 is the UK’s largest festival of contemporary art. Sally Tallant, who was previously Director of the Serpentine Gallery, was appointed Artistic Director and Chief Executive in November 2011.

Liverpool Biennial is presented free to the public every two years over a ten-week period. Alongside the Biennial exhibition, the festival includes the John Moores Painting Prize, Bloomberg New Contemporaries and City States, as well as additional exhibitions presented through a thriving independent scene.

Liverpool Biennial 2012 considers the question of ‘hospitality’ as its starting point under the name of The Unexpected Guest. It brings together the work of 60 artists in venues across the city. Leading and emerging artists have been commissioned to make permanent and temporary public artworks as well as long-term community based project.

For the first time, the iconic Cunard Building – one of Liverpool’s Three Graces sited between the Port of Liverpool Building and the Royal Liver Building – will be used to exhibit contemporary art. The building was once the headquarters and main passenger terminal for the world’s most famous shipping company, the Cunard Steamship Company.

Other venues include Bluecoat, FACT, Open Eye Gallery, Walker Gallery and Tate Liverpool as well as Liverpool One, The Monro and publically sited artworks across the city.

We discussed the work of the following artists: Andrea Bowers, Mona Hatoum, Pamela Rosenkranz, Superflex, Christodoulous Panayioutou, Runo Lagomarsino, Sylvie Blocher, Ahmet Öğűt, Kohei Yoshiyuki, Mark Morrisroe, Sinta Tanra, Keith Arnatt, Gilbert & George, Layla Curtis, Simryn Gill, Sophie Calle, Pak Sheung Chuen, Yael Bartana, Thomas Hirschhorn, Elmgreen & Dragset, Oded Hirsh, Dan Graham, John Akomfrah, Ming Wong, Akram Zaatair, Janine Antoni, Dane Mitchell and Dane Mitchell.

Our weekend trip for members took place from 2-5 November 2012.

Liverpool Biennial 2006 – International Festival of Contemporary Art

Spin members are invited to join us on a weekend visit to the Liverpool Biennial, the UK’s largest festival of contemporary art. Established in 1998, it takes place every two years and is a collaboration between the citys long-established arts organisations including Tate Liverpool, The Walker Art Gallery, Bluecoats Arts Centre, Open Eye Gallery and FACT (Foundation for Art & Creative Technology), as well as smaller galleries and independent venues.

The four main strands of the festival are:

John Moores 24 – Exhibition of Contemporary Painting at the Walker Art Gallery
This is the UKs most prestigious and longest running national open painting competition. It celebrates the vitality of contemporary British painting and offers a first prize of £25,000. From an initial selection of 268 shortlisted paintings, this years jury made up of Sir Peter Blake, Tracey Emin, Jason Brookes and Andrea Rose, whittled it down to 52 paintings. Martin Greenland picked up the winning cheque for his invented landscape, Before Vermeers Clouds. The sky in his painting is copied from A View of Delft by Jan Vermeer, a work that has fascinated the artist for 30 years.

New Contemporaries at the Coach Shed
This strand of the festival gives artists who are still at, or just after, art school the opportunity to show their work in the context of a professional gallery. The selectors were Angus Fairhurst, Paul Noble and Alison Wilding.

International 06 Various Venues around Liverpool (including Tate Liverpool, Bluecoat, FACT and Open Eye Gallery)

Gerardo Mosquera, an art critic, lecturer, historian and writer based in Havana, and Manray Hsu, a critic and curator based in Taipei and Berlin, have been appointed to work with the Liverpool Biennale team. Together, they have selected 40 artists who were invited to research and propose new commissions for the city. Artists include Philippe Parreno, Monica Bonvicini, Simryn Gil, Teresa Margolles and Mark Bradford.

The Independents Biennal Various Venues around Liverpool
A programme of activity initiated by artists and curators working in Liverpool including exhibitions, live art, performances, interventions and happenings.

We will be visiting the best of what the Liverpool Biennial has to offer on Saturday 11 November and Sunday 12 November 2006.

For more information about the Liverpool Biennial see www.biennial.com