25 February 2005 at 6pm
Celebrity, glamour, icons repeated; this is what we think of as Andy Warhol‘s defining work. It made him as famous as his superstellar subjects. But Warhol was prolific for many decades and there is a lot more to him than a few (perhaps overexposed) images. Ranked alongside Picasso and Duchamp as a 20th-century giant, Warhol’s importance is measured by the impact his work has had on a vast range of artists since the 1960s. He deals with the big questions – identity, death, love and pain. Yes, his deadpan persona was the epitome of 1960s ‘cool’; but genuine pathos and humanity run through the works. The humane side of Warhol is becoming more visible now, and this exhibition of self-portraits is a revelation – more stimulating and poignant than you might expect.
One person who knows Warhol’s legacy better than most is Jean Wainwright. An art historian and critic based in Kent, Jean has been given unique access to Warhol’s private audiotapes and his time-capsule boxes – all now housed in the artist’s archive in Pittsburgh.
The CAS members travelled to Pittsburgh recently and it was Jean that arranged for Warhol’s now elderly brother to show them round the places he and Andy frequented as kids. He had never spoken in public before. Jean is a colourful character in her own right, so don’t miss the opportunity to see the show in her company.
29 July 2004 at 6pm
Gavin Turk is Britart’s answer to Andy Warhol. He explores glamour and banality, glitz and abjection, by looking at notions of celebrity and subverting them with endless role-plays. In exactly the same vein he appears as a tramp, and insistently drags the detritus of our world into the gallery. Plastic cups, bin bags and abandoned sleeping bags are transformed into art works of uncertain status – they may be bronze but they look exactly like the unsavoury original . . .
We will be joined in this show of Turk’s new print series by curator and art critic John Calcutt, who has been an entertaining voice guiding us through the Britart/Scottish Art phenomenon over the last few years. As well as lecturing at Glasgow School of Art, writing regular articles and catalogue essays for books such as the survey of Scottish art, Here + Now, he recently curated an excellent exhibition at the CCA.
29 May 2003 at 6pm
For this month’s Spin event, we are going to look at the dynamic portraits exhibition by Mario Testino. Our invited guest will be Glyn Davis, Lecturer in Film and Media Studies at Edinburgh College of Art, who will reflect upon the works in this spectacular and fashionable show.
Some of the questions we will consider in the show are;
Portraits, are they art or not?
How do we go about evaluating portraits of people in the public eye?
What are the different visual dialogues that occur within the show?
Mario Testino is one of fashion’s most-sought-after and charismatic photographers, whose name is synonymous with images of glamour, style and joie de vivre. Based in London, Testino travels extensively for international fashion magazines, whilst his work has been exhibited widely in Europe and Japan. Mario Testino: Portraits brings together over 100 photographs, in which he has captured contemporary celebrities from the worlds of fashion, film and music. His subjects include Robbie Williams, Catherine Zeta Jones, Liz Hurley, Kate Moss, Gwyneth Paltrow and Madonna, as well as Diana, Princess of Wales, photographed shortly before her death in 1997. Much of the fascination of his work lies in today’s cult of celebrity, youth, and a particular ideal of beauty.
