Tag Archives: land art

Andy Goldsworthy: Fifty Years

25 September 2025

After our month off we are back to explore one of the standout exhibitions of the Edinburgh Art Festival, Andy Goldsworthy: Fifty Years. Featuring over 200 works, the show includes stunning installations made in response to the iconic Royal Scottish Academy building, as well as drawings, photographs, films, sketchbooks and archival items dating back to the mid-1970s. To provide insight into the work we will be joined by Chief Curator Patrick Elliott. 

Goldsworthy is internationally recognised for his work with natural materials such as clay, stones, reeds, branches, leaves, snow and ice. For over 50 years, he has created a unique and highly influential body of work that speaks of our relationship with the land.  

Andy Goldsworthy: Fifty Years has been conceived by the artist as a single immersive artwork in response to the space, materials and character of the RSA building. The interrelationship of humans and the working land is a recurrent theme in Goldsworthy’s art and in the exhibition. He often presents the land as a hard, hostile and brutal place. Fences and barriers feature prominently, in the form of rusted barbed wire stretched across a room, and a massive, cracked clay wall. As in nature, beauty and danger co-exist. 

Richard Long: Walking and Marking

26 July 2007 at 6pm

This time last year, a gathering of artists, curators, friends and family assembled in Greyfriars Kirk to honour one of Scotland’s most important conceptual artists, Ian Hamilton Findlay. His son, Alec Finlay, related his father’s principals to Heraclitus’ philosophy that you can never step into the same river twice. It could be suggested that this is the impetus of all great Land Artists, including Richard Long, who also refers to this belief throughout his work.

As a graduate from the influential St Martins College of Art in London during the late sixties, Richard Long stood alongside Hamish Fulton, Gilbert & George and Roger Ackling, as an artist who would completely alter our perception of art practice.

Whether Long is on a six-day walk through Torridon, kayaking down the Colombia River or working in Warli Tribal Land in Maharahtra, India, he works with the most immediate materials that are available to him to make his art. Using mud, water, sticks and stones, he forms them into elemental shapes such as lines, circles and spirals, to express, in a visually arresting way, his presence within the landscape.

Since Long makes art directly in the landscape, much of his work takes the form of photographs, maps and text pieces, however for the exhibition at the SNGMA, he has created Cornish Slate Cross 2007 in the grounds of the Gallery of Modern Art and mud drawings made from mud from the Firth of Forth.

This is a great opportunity to view 40 years of work in Long’s first retrospective in Britain since 1991.