Tag Archives: popular culture

Andy Warhol and Eduardo Paolozzi: I want to be a machine

For our first event in 2019, we will explore the two parallel displays of work by Andy Warhol and Eduardo Paolozzi.

The exhibition shows the evolution of their art, revealing similarities as well as differences from their interest in popular culture and mass consumerisation to new technologies and the discovery of screen printing in the 1960s. The exhibition also reunites them as in 1968, Warhol and Paolozzi exhibited together as part of a five-person show at the Four Seasons Restaurant in New York.

The title of the exhibition comes from a quote by Andy Warhol when he discovered screen printing which enabled him to make works of art which almost made themselves. ‘That’s what I like, he [Warhol] famously said. I want to be a machine.’

Both artists captured images from photography and advertisements. Warhol traced his images while Paolozzi used collage until they both turned to screen printing to transform photographs into prints.

The exhibition includes rarely seen drawings by Warhol, as well as his famous prints of Marilyn Munroe. Works by Paolozzi include some of his early proto-Pop collages from the early 1950s and Metallization of a Dream in 1963 and key works from the famous 1952 Bunk lecture where he is credited with kick-starting Pop Art.

We will be joined by Dr Glyn Davis, Reader in Screen Studies at the University of Edinburgh to discuss the work of these icons of modern art.

Phil Collins – the world won’t listen

Please join our host Alhena Katsof and curator Claire Jackson to view and discuss Phil Collins’ current solo exhibition, the world wont listen at Tramway.

Phil Collins uses video and photography to negotiate problems of representation by underlining the complex and unpredictable transferences that occur between the producer, the subject and the viewer. He often works in socially and politically contested regions, employing elements of popular culture, low-budget television and reportage-style documentary to articulate a form of critical proximity to contemporary media – both a fascination with and wariness of the ways in which they structure the lived experience itself.

For the exhibition at Tramway, Collins will present the European premiere of his acclaimed three-part video installation the world won’t listen. Filmed in Colombia, Turkey and Indonesia, the trilogy features fans of the influential indie-rock band The Smiths performing karaoke versions of tracks from their 1987 compilation album of the same name. The work has been generously loaned to Tramway by the Dallas Museum of Art, where it premiered in November 2007.